When I discovered the mark, a Sledgehammer can make with paint only a few short months ago I was truly awe inspired by such a violent event on canvas; I paired the newly found brush stroke with the image of a clowns face to give it weight and humor as a finished work. Clowns represented in visual culture are the sad victims of the mark featured in my latest series called “Sledgehammer Face Clowns”.
The mark from the hammer is the final stroke on paintings in my "Sledgehammer Face Clown Series", I do not think much about what the image needs until it all comes together and is ready for the final mark. Institutionally; I can tell what the composition requires; it feels like hitting the jackpot when I slam the hammer down and punch a colorful mark directly into the clown's eye, the finishing touch brings life to the painting and the result is what makes the clown funny.
Learning the Sledgehammer over the last few months has reminded me of Chinese brush painting lessons as a child and how difficult the Horsetail Brush was to use, I spent many hours in frustration practicing to get the perfect mark, using a ground as delicate as rice paper even the slightest bit of excess water could ruin a painting or even cause it to fall apart. With something as delicate as a Horsetail Brush it is necessary to achieve the mark with a delicate hand the first time leaving no room for second chances.
The weight of the hammer striking down creates an explosion of force which causes the paint to race outward and perform unpredictable maneuvers twisting in mid-air and skimming the surface of the canvas like skipping pebbles on a pond. The intensity often causes a hole which I have learned to live with, leaving a hole that pierces through leaves room to apply a paint-soaked patch to the back of the work adding color to the ruptured canvas which dries; highlighting the aftermath of the event in much greater dimension.
I once heard "the hardest thing for an artist to know is when a piece is finished" I always had trouble with this concept because I wanted a sense of victory at the end of a painting, a sense of pride and accomplishment but as an artist I find that often times I am thinking "does it need one more brush stroke?" I see my work for the first time with fresh eyes when I turn to look after hitting it with the hammer, I trust my critical eye and know if I won this round. Sometimes I dance around as if I have won the lottery when I'm finished painting, this is a feeling which has been missing and now my painting process is like any other accomplishment; when finished I feel a sense of pride and ease.
I often wake up the friend who is staying on my couch with a loud bang in the wee hours of the morning; both of us are brought into a state of Zen by the completion of a painting. I take off my goggles and get a first look, she rubs her eyes to take a look as well….”cool!” is the usual first word one of us can utter, followed by “really though?” as we both examine the aftermath of color and form left on canvas as I imagine all of the possibilities for the future.
Chris Crewe – 2019